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Andrew Jazprose Hill's avatar

First of all, I love your poem, Deborah. I also love your essay and the beautiful painting you’ve paired with this piece. Everything you’ve written here resonates deeply with me.

In addition to the two-ness I’ve inherited as an African American, a la W.E.B. Du Bois, I have also felt the psychic push-pull you’ve described so well here.

When I came across the Buddhist concept of not-two, I found it enormously helpful. But as a writer, I’m fascinated by the conundrum of divided consciousness. For the past week or so, I’ve even been working on a short story centered on this idea. It’s astonishing to come across your poem and essay at this particular time. Truly, we are all connected!

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Michael K. Fell's avatar

I love this and your short story, Deborah. You pose interesting questions, and it made me think of a few things I have experienced.

Many years ago, I stopped smoking marijuana because I had the strange and unsettling feeling of being hyper-aware of my physicality within my surroundings. I also had a highly refined awareness of my internal, psychological, and emotional being that made me feel quite paranoid. It was no longer an enjoyable experience to smoke, and I knew it was no longer for me. One time, in particular, that I vividly remember, years ago, I was at a concert and somebody passed a joint. It was unbearable to be on the crowded floor. It was akin to an out-of-body experience where I felt I could see myself surrounded and watched by everybody. I had to eventually remove myself and stand at the back, near the mixing desk, while everything played out in front of me. I knew then that it was my last puff. 

But, I have often had lucid dreaming experiences where I am strangely conscious and aware that I am dreaming yet enjoying the narrative and allowing it to continue to try and influence it. Is this the same thing?

And, reading both this post and your short story reminds me of the wonderful Marc Chagall painting 'Over the Town,' where two lovers float above their village. Is he dreaming of whisking her away (I use "he" as the artist was male), is it a metaphor for their floating, weightless and love-drenched hearts, and is their love so passionate and wonderful that they are above the harsh realities that lay below? The "otherness" of their love flight compared to the "reality" of their life back on the ground. 

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